Geoffrey Mogridge reviews the latest production from the Ilkley Musical Theatre Society.
Following last November’s epic West Side Story, hardworking members of Ilkley Musical Theatre Society soon immersed themselves in a packed rehearsal schedule for Pippin.
Experiencing last night’s opening was, at least for me, a voyage of discovery. Pippin is a 1972 fantasy musical with music and lyrics by Stephen Schwartz and book by Roger O Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The premise is a mysterious performance troupe, ruled by the Leading Player. They tell the story of Pippin, a young prince relentlessly searching for some meaning to his life.
Pippin becomes a soldier and joins his brother Lewis in battle. That doesn’t work out so Pippin decides to succeed his father, King Charles, in order to right injustice, abolish taxes and give people freedom. Chaos ensues. Pippin becomes bored and returns to his old life. He eventually finds love in the arms of Catherine with her young son Theo.
The moral is to be content with what you have as there probably isn’t meant to be much more! It is not the strongest of plots for a musical play but glamour, spectacle and catchy songs, allied to the high octane energy of these performers soon made me forget any material shortcomings.
Mark Allan’s dazzling production of this surprising musical has a distinctive professional sheen. From beautifully designed settings, shimmering costumes and magical lighting to the polished performances of a meticulously drilled ensemble of over thirty adults and children.
Joel Ensink brings a pleasing voice and presence to the role of Pippin who is rarely off stage. Rachael McMahon is vibrant and commanding as the manipulative chameleon-like Leading Player who challenges Pippin on his journey. Andrew Howarth plays Charlamagne, Pippin’s demanding father. Loretta Marklew is a delight as Bertha, his brassy and sassy grandma. Laura Judge is great as Fastrada, Pippin’s glamourous and conniving step-mother. Matthew Nuttin brings a sturdy physical presence as Lewis, Pippin’s not-so-bright brother. The sweet romantic Catherine is played by Sadie Bellerby; her son Theo, by Henry Hyland. And I don’t forget Banksy, the adorable pooch who makes a brief cameo. The chorus singing has gusto and musical director Mike Gilroy draws a marvellous sound from his handpicked orchestra. Take a bow Mike!
Performances continue at the King’s Hall, Friday at 7.15pm, Saturday at 1.30pm & 6.30pm.
Tickets are available from www.ticketsource.co.uk/ilkley-musical-theatre-society